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The Good, the Bad and the Ugly
Year:
1966
Country:
USA, Italy, Spain, West Germany
Genre:
Action, Adventure, Western
IMDB rating:
8.9
Director:
Sergio Leone
Eli Wallach as Tuco
Lee Van Cleef as Sentenza
Aldo Giuffrè as Alcoholic Union Captain
Luigi Pistilli as Father Pablo Ramirez
Enzo Petito as Storekeeper
Claudio Scarchilli as Mexican peon
John Bartha as Sheriff (as John Bartho)
Antonio Casale as Jackson / Bill Carson
Sandro Scarchilli as Mexican peon
Benito Stefanelli as Member of Angel Eyes' Gang
Angelo Novi as Monk
Storyline: Blondie (The Good) is a professional gunslinger who is out trying to earn a few dollars. Angel Eyes (The Bad) is a hit man who always commits to a task and sees it through, as long as he is paid to do so. And Tuco (The Ugly) is a wanted outlaw trying to take care of his own hide. Tuco and Blondie share a partnership together making money off Tuco's bounty, but when Blondie unties the partnership, Tuco tries to hunt down Blondie. When Blondie and Tuco come across a horse carriage loaded with dead bodies, they soon learn from the only survivor (Bill Carson) that he and a few other men have buried a stash of gold in a cemetery. Unfortunately Carson dies and Tuco only finds out the name of the cemetery, while Blondie finds out the name on the grave. Now the two must keep each other alive in order to find the gold. Angel Eyes (who had been looking for Bill Carson) discovers that Tuco and Blondie met with Carson and knows they know the location of the gold. All he needs is for the two to ...
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Reviews
"The Good, The Bad, And The Ugly" is far from being ugly
I was never really a fan of westerns until I saw The Good, the Bad, and the Ugly. This is one of the greatest movies ever. Sergio Leone is a master director, who has also made Once Upon a Time in America, and Once Upon a Time in the West. He is probably the best visual director of all time. He films the cowboys like they are a part of the vast western landscape themselves. His pacing is patient, which works very well in his films. Some criticize his movies for moving too slow, but that allows for much build-up and some scenes and sequences that you will never forget. Clint Eastwood is the ultimate western gangster in this movie. This is where he first truly showcased his brilliance as an actor. If you have not seen this film for some strange reason, get up and watch this masterpiece before you die. Did I mention the score? It is in the same league as the score for Jaws. Intense. Powerful. Mesmerizing. Beautiful.
2005-07-05
Eastwood's iconic anti-hero
There's not a lot to say about this one that hasn't been said. You have to enjoy the sweeping, desolate Spanish vistas. And, as it has been pointed out as a plot hole, it is an interesting technique that what ever is out of the frame, is unnoticed by the characters, such as Angel Eyes making it all the way to the Stanton grave without being noticed approaching (on horseback) over open land. I found it distracting the way many characters spoke in Spanish or Italian and were dubbed into English. I have always disliked dubbed movies and preferred subtitles, but this one was odd, with some characters speaking English, and some not. It must have made for interesting rehearsals and filming. I would have to agree with others that Eli Wallach largely stole the show. And does anyone know if Lee Van Cleef really was short part of his right middle finger, or did they splice in someone else's hand for that shootout scene?
2008-02-18
best western
this movie is by far the best western ever made. yes unforgiven is great but it was made after and with the benifit of the latter. this movie was made in 1966 that is 40 years ago. I have watched this movie twenty times and maybe more. It has been a part of my life and I find it to be a great why to kill a rainy afternoon. I see something new almost every time I watch it. this movie changed the way gun movies were made.

Sergio in his wisdom or luck got it right, as they say three is a charm. If you are a fan of horses check out the Arabian that Lee rides in on, best western horse ever except for maybe Beau in True Grit. many forget that the horses are important too. this movie and director should have won the best movie and best director for 1966
2006-08-24
Great!
Basically, if you have to see one western, watch this one. From the opening credits, you can tell its going to be a stylish, bloody ride.

What I admire most about this film is the attention to detail. Leone doesn't rush scenes; sometimes we have shots up to five minutes without dialogue.

Tension chews nearly every scene as we observe the eyes and hands of the characters. It's as much a film of greed and civil war, as it is about deception.

The acting is perfect all round. Clint, Wallach and Cleef are all amazing in their roles. They manage to live up to their roles of good, bad and ugly well, but it's not as clear cut as that. The characters in this film are all morally ambiguous and so they should be. At a time like the civil war, even the "good" can be "ugly".

Great direction, superb acting and amazing style. The film is very efficient at telling its story - and the ending is amazing.

Definitely watch this.
2007-04-17
The Good, The Better, The Best.
In a span of 3 years, Sergio Leone changed the entire landscape of westerns with his Dollars Trilogy. The change began with A Fistful of Dollars, got accelerated with For A Few Dollars More but it wasn't until Leone unveiled The Good, the Bad & the Ugly that the final nail on the coffin of the traditional westerns was hammered for good. Making major upgrades in all departments, the third chapter not only turns out to be the best of the three but is also one of the greatest & most influential motion pictures ever made.

The Good, the Bad & the Ugly is the story of three men racing against each other to find a fortune in gold buried in a distant cemetery. The film begins with a stylish introduction of the trio, places its story against the backdrop of American Civil War & manages to create some brilliant situations of escalating tension throughout its runtime that finally culminates with an unforgettable final showdown which, in my opinion, remains the greatest climax ever filmed in cinema history.

The direction by Sergio Leone is an absolute class. Not only this film presents him at the creative heights of his career but also in complete control of his skill. The screenplay itself boasts many catchphrases & is infused with lots of humour. Cinematography transforms the barren landscapes into scenic beauties but also contributes to the drama through multiple close-ups & controlled stillness to add uncertainty to the scenes. And in spite of clocking in at 177 minutes of runtime, the film seems to fly over thanks to its clever editing.

Coming to the performances, Clint Eastwood plays the good character with sublime style. Lee Van Cleef stars as the bad character & impresses as the ruthless & sociopathic mercenary. But the real show-stealing performance amongst the three turned out to be Eli Wallach's rendition of the ugly character. With effortless use of wit & expressions, Wallach nails his role of an outlaw to absolute perfection, is also responsible for the comic relief in this film delivers & even the story is more inclined towards his journey as we eventually learn about his background unlike the other two characters.

Last but not the least, the most important aspect worth mentioning about is Ennio Morricone's famous score. Captivating from the very first frame, the way the music drives this film is sheer perfection. Staying true to its origins & picking up from right where it left off in the previous chapter, the score makes extensive use of whistles, gunshot & cannon fires that permeates the film seamlessly & the main theme is something you've already heard even if you haven't seen the film. But where it's as its best is in the final climactic moments, turning the sequence into a truly bone-chilling, unforgettable & haunting experience that remains unsurpassed to this date.

On an overall scale, the ingenious direction of Sergio Leone & musical genius of Ennio Morricone is a combination that yet remains to be challenged & probably may never be equalled. And these two alone make this film pretty good. Add the strong & scintillating performances of Eastwood, Van Cleef & Wallach to that and the mixture just gets better. And finally, on adding this film's perfection in other filmmaking aspects like cinematography, editing, set pieces, every minute detailing & the final showdown, we have a cinema that's simply the best.

Immortal for its contribution to western genre, The Good, the Bad & the Ugly is a stunning work of expert filmmaking whose significance to art, culture & cinema will never be forgotten. It's the greatest western ever made. It's one of the greatest films of all time. And it's my all time favourite foreign language film as well. Extremely recommended.

And no you don't have to watch the previous two chapters before moving on to this one. So, sit back & enjoy the western that changed westerns, forever.

Full review at: cinemaclown.wordpress.com
2010-01-06
The Best Of The Best
When i first saw this film i thought it was slow and pointless. It really didn't seem to be going anywhere at all and worst of all, the story didn't make any sense.

A few months later i watched, A Fistful Of Dollars and For A Few Dollars More and i decided to give this a chance again, realising that it was part of the Dollars Trilogy. After watching it a second time all i can say is this ... Sergio Leonios Best, Clint Eastwoods best and the best Western of all time. The battle sense's were by far the best and most life like battle sense's i have ever seen , the best thing about this film is the music, that theme composed greatly by Ennio Morrocone has become a modern classic.

The Story really came to me this time watching it. Clint Eastwood plays Blondie (THE GOOD), Eli Wallach plays Tuco (THE BAD) and Lee Van Cleff plays Angle Eyes (THE UGLY), three men who are after a fortune in gold. It sounds like a typical story, but to get to the gold they have to go through the civil war. Well, only Blondie and Tuco have too. Angle Eyes is a general in the war.

I really don't know what made think this was crap the first time i watched it. I guess it was because at that time, i really didn't like Westerns at all. But now watching it a second time, it has become one of my top 5 favourite films of all time. One thing i'm happy to see is this is in the top 10 on the IMDb Top 250. It deserves it. 10/10. Perfect
2007-09-09
A Western Masterpiece!
¨You see in this world there's two kinds of people my friend, those with loaded guns, and those who dig. You dig.¨ I wonder what would've been of Clint Eastwood's career if it weren't for the ¨Dollars¨ trilogy. Before working with Italian filmmaker, Sergio Leone, he had a career as a television actor in Rawhide, a western based TV series, but he couldn't get a decent job in Hollywood so he began to look for work abroad. He reached international success thanks to Leone's reinvented spaghetti westerns: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, The Bad, and The Ugly (1966), known as the ¨Dollars¨ trilogy. He proved producers wrong because they thought that people wouldn't pay to see movies of actors they could see for free on television, but audiences were more than willing to see him in the big screen. His pairing with Leone couldn't have worked out better for him since the director's trademark was combining long wide shots with extreme close-ups. These wide shots couldn't have been enjoyed as much on the small television sets at home. Eastwood's rough features and manly charisma also contributed to Leone's success, and both seemed destined to work with each other. There is no need to see the previous ¨Dollars¨ movies as The Good, The Bad, and The Ugly stands out on its own and is actually a prequel since the movie takes place during the Civil War in the early 1860's before the other plots take place and they are all separate stories that only have Clint Eastwood's character in common. When I see Eastwood's latest films as a director I can't help but think how much he was influenced by the great Sergio Leone. He must have learned a great deal working with the Italian director in this masterpiece. It is just shot beautifully and to perfection by Leone, the cinematography and scenery are amazing and feel real, and the score is perfect. Eastwood may be a different director than Leone was, but he pays close detail to his craft and also knows how to shoot beautifully.

The plot is pretty simple for a movie that is about three hours long, but Leone's use of the camera and extended shots makes the film longer. He also adds several side stories that work really well in the narrative. The film begins by introducing each character (although in the opposite order: The Ugly, The Bad, and The Good). The film begins with an extreme close up on a bounty hunter (Al Mulock) and then when we see the wide shot there are three of them who are quietly entering a bar. Once the men enter we hear three shots and out comes Tuco, also known as The Ugly (Eli Wallach), who escapes. In the next scene we are introduced to The Bad, Angel Eyes (Lee Van Cleef), who is tracking down a peasant farmer. The scene is truly a classic as no words are spoken for about ten minutes, but the tension can be felt. Angel Eyes is actually looking for information on the location of a treasure of coins lost during the Civil War and he is told a soldier named Bill Carson has it. Finally, we are introduced to Blondie, The Good (Clint Eastwood), who saves Tuco from a group of men who want to turn him in because there is a reward on his head. Blondie saves him only to collect the reward himself, but once Tuco is about to be hanged he shoots the rope and sets him free as part of a scam in which they divide the money. They later turn against each other only to discover the location of the treasure that has been buried and the race begins to see who can get to the treasure first as the three men have different information regarding its whereabouts.

The Good, The Bad, and The Ugly is my all-time favorite Western. Any other film in the genre will always be measured by its standards. The opening scene in which we are introduced to Angel Eyes (The Bad) is just so beautifully shot that no dialogue was needed and we were already hooked (Ennio Morricone's amazing score can also take some credit for that). The first ten minutes have no dialogue whatsoever but it sets up the general tone of the movie: several wide shots where we can see the great landscape and deserts combining them with extreme close ups of the characters facial expressions, the tension and suspense is built with long and slow scenes and suddenly the violence happens so quickly that we are caught off guard. The film doesn't celebrate violence, it portrays it truthfully. The main character is the quiet Blondie (The Good), but without a doubt Tuco (The Ugly) is the one who has the most lines and brings some unbalance and goofiness to an otherwise serious picture. One of the funniest scenes is when he is in the tub and one of the bounty hunter shows up to kill him but before shooting he begins the classic speech villains tend to give and Tuco pulls out his gun and fires at him saying, ¨When you have to shoot, shoot, don't talk.¨ Tuco plays a key role and his character is kind of the gray in an otherwise black (Angel Eyes) and white (Blondie), good guy and bad guy western movie. He breaks the conventionality in the genre. The final Mexican standoff scene is also truly memorable and one of the best shot sequences. This is a truly unique film that has stood the test of time; it catapulted Eastwood into a movie star, and has influenced him on his way to becoming a great director. The Good, The Bad, and The Ugly is one of my all time favorite movies and is a must see film.

http://estebueno10.blogspot.com/
2010-09-17
My review is superfluous...
... but i still want to jostle in with more than half of a thousand other reviews just to type: this is undoubtedly THE best Western movie ever and easily one of the best masterpieces of all time. Even the most noble adjectives preserved particularly for art praising found in Merriam- Webster are too mundane to captivate its greatness.

Please watch this classic before you die.

R.I.P Leone and thank you for blessing your fellow humans such a great gift.

P.S: Eli Wallach + Lee Van Cleef + Clint Eastwood = the most bad-ass narrow- eyes gang in Hollywood.
2010-07-17
The best western i've ever seen
I watched this movie more than forty years ago the first time. I was a little, stupid kid, and all i liked about this movie was shots and coursing, but now, when my sons watch at this, I can understand the master piece it is. The history is fantastic, the characters are all bad asses with sense of humor, you will love them, the art direction deserved an Oscar, and the acting by the fantastic Clint Eastwood too, for not talking about the music.

About 2 years ago I saw "Once upon a time in America", by Sergio Leone. And I realized that this director was a master that deserved respect, remembering this movie. You will love this movie, I tell ya, your sons too, you maybe worry about the length, but that three hours are not wasted at all. And there are two more movies of the trilogy, but you can see this one as a separated movie. I loved it, it's on my personal top 5 rank.(with "The godfather", "12 angry men","Pulp fiction" and "Goodfellas") A little spoiler over here: the final scene with Tuco running at the sementary in just the most exiting thing I've ever seen, the music helped.
2012-07-12
Rich Visual Epic
Long before Clint Eastwood would wince his way into the ham-hock Hall of Fame as Over-Rated Actor and God-Awful Director he was used to perfection by Director Sergio Leone in his spaghetti-Western masterpiece, "The Good, The Bad, & The Ugly."

This is a film so visually rich it reads more like a novel than a motion picture. Leone gets off on the grit: the beard-stubble, the sun-chapped lips, battered hat-brim and dirty leather boot. Not only is this the greatest Western ever made it may also stand as the greatest visual story ever committed to film. Leone is so genuinely fascinated by this period and its mythology that every frame is full and compelling... action occurs in both sprawling long shots and lightning bursts of quick-cut gunshot. Eli Wallach is amazing as Tuco, the human rodent, and Ennio Morricone's haunting score adds tremendous humanity to the proceedings.

I have to admit I am not a fan of most American Westerns... the vast majority of them seemed to be disposable action flicks shot at the same five ranches using the same twelve horses. "The Good" elevates the Western to a higher art form than even John Ford or Howard Hawks' greatest films... it would serve as the visual blueprint for almost every Western to follow, and I highly suggest watching the movie with a glass of cool water nearby... you'll be thirsty.

The perfect Saturday-afternoon movie (but be sure to watch in Letterbox!) "The Good, The Bad & The Ugly" is an enduring cinematic classic not to be missed... one of the greats.

GRADE: A+
2009-04-01
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